Sara
Rytteke was born and raised in Sweden. She did her undergraduate education
in Sweden, France, and US. In 2000 she received her Masters of Fine Arts
degree at the University of Houston, Houston, TX, where she also taught
photography. Rytteke is currently an Assistant Professor at Barry University
in Miami, Florida. Her awards and honors include the 2002 Fellowship Award
from Society for Contemporary Photography, Kansas City, an Honorable Mention,
2001 Photography Fellowship sponsored by Houston Center for Photography,
The Photo Review Award, 1998, The Digital Fine Arts Award, from The Print
Center, Philadelphia, PA in 2000 and Kronobergslns Landstings Culture
Stipend, Sweden in 1994. Sara Rytteke has participated in close to fifty
exhibitions in Sweden, France and the US including Arizona, Connecticut,
Florida, Indiana, Missouri, New Jersey, New York, Pennsylvania, Texas
and Washington.
Sara
C. Rytteke
From the Black and
White close-up self-portraits in 1994 to the 1998- 2002 series On
Art, Beauty and Persuasion I have continually explored the issue
of female identity and influence from massmedia and popular western cultural
ideas. I feel that in my work I examine and interpret visually how the
values of popular culture, especially womens magazines and fashion,
play a part in our lives. My investigation has brought me back to my childhood
and I have recently started making myself into a paper dol
l. I am interested
in what the dolls represent in terms of toys as well as re-presentations
of humans/women. I am examining the roles, through representative clothes,
of females today and in the past."On Art, Beauty and Persuasion/Youre
Such a Doll" is to me a continuation of my previous work dealing
with magazine covers and their prevailing impact in popular culture. "On
Art, Beauty and Persuasion/ Doll Was Here makes a comparison between
the popular ideas of postcards as representing reality of a place and
challenge the shallow portrayal of identity and the notion that we are
trying to live up to a myth of beauty and perfection that does not exist
in reality.
Sara C. Rytteke
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