Leslie
Ebert
BIOGRAPHY
With
a theosophist approach to creating Leslie Ebert connects with the creative source,
allowing an intuitive discovery of imagery that exists in the micro world around
us. This visual information provides a glimpse into the movement of energy flow,
the make up of the universal field, and possibly the afterlife itself.
Self taught as an artist, Ebert has a degree in Architecture from the University
of Oregon in Eugene. Over the last twenty years Ebert's Mixed Media work has evolved
from etching drawings into metal plates to transferring photographic images on
to them. This body of work combines current image capture technology of macro
digital photography with sublimation dye image transfer techniques which heat
translucent pigments turning them into a gas that transfers into the metal surface,
creating a soft painterly effect. White space becomes the silver of the aluminum
support while the transparent pigments have an iridescence luster that creates
a 3-D look to the finished works.
Leslie Ebert's artwork can be found
in numerous private and corporate collections around the Pacific Northwest including
Austin Industries, art of the Allison Collection of Oregon artist's; as well as
several private collections internationally (in India, China, Vietnam, England,
France and Canada). Ebert has shown recently in group shows at the ‘National
Association of Women Artists Gallery in New York and the Center on Contemporary
art in Seattle Washington. Leslie Ebert has been listed in Whos Who of American
Artists and her work has been on the cover of magazines most recently Art Access,
Seattle, Jan/March 2014, as well as published in several books and journals including
Diffusion; Unconventional Photography Annual Vol. IV, and 'Visual Journeys; Art
of the 21st Century.’
ARTIST STATEMENT “My
approach to art is spiritual in nature. Each series a visual narrative of my own
search for meaning. I am interested in the transpersonal experience of creative
process and infusing into the art that state of interconnectedness found in the
timeless moments of creating. After years of exploring this idea in painting this
concept has lead me to photography. At first I found myself picking up my camera
to capture this phenomena of reflected pools of light as reference for paintings,
but over the last several years the photographs have evolved into unique works
of art of their own. Using the tools of macro digital photography I
capture painterly abstract images of the aether. I choose to print these images
using a sublimation heat transfer process which uses transparent pigments to infuse
color into aluminum. This archival process produces a luminescent quality that
allows these images to be shared as they were discovered, glowing from the inside.
I do not photograph objects or places, I capture the energy signature
radiating from objects and places. Just as a psychometrist reads the energy coming
off a persons car keys to tell you about the owner, I use the tools of photography
to bring a visual understanding to the phenomena of vibrating energies as creative
catalyst described by physicists as quantum entanglement.
My works answers
to painter Wassily Kandinskys’ call to artists, to seek out the spiritual
and report back using visual expression. Through the medium of macro digital photography
I explore the vibrational nature of our physical world and the idea of resonance
as the universal creative force. Accessing these normally invisible elements by
dissecting rays of light with the optics of my camera lens, I capture these energy
signatures that bring to my mind remnant fingerprints of a Devine consciousness
at play.” SOLO SHOWS
2011 Portland Art Museum Rental Sales Gallery, Featured Artist,
Portland Oregon
2009 Art Etc. Featured Artist, Portland Oregon
2005 Washington State University,
Science Gallery, Vancouver Washington
2005 Wene' Gallery, ‘Exploring Quantum’, Portland Oregon
2003 Silver Creek Gallery, ‘Conversations’, Silverton
Oregon
2001 The Gallery at Willamette, ‘The first ten years,
a retrospective’, West Linn Oregon
1999 Gallery 33, ‘Recent work’, Portland Oregon
1997 First Avenue Gallery, ‘Mixed Media’, Portland
Oregon
1996 Waterstone Gallery, ‘Symphony in Paper’,
Portland Oregon
1995 Edmonds Art Festival Museum,
Edmonds Washington
1995 Artisan Center Gallery, ‘Stillness in motion’,
Portland Oregon
1992 AIA Gallery ‘Impressions’,
Portland Oregon
SELECTED GROUP EXHIBITIONS
2014 NAWA Gallery, ‘Winter Exhibition’. New York,
New York
2013 NewSpace ‘Now; Salon’ Portland Oregon
COCA Center of Contemporary Art, ‘Collision’ Seattle,
Washington
NOoSphere Gallery, ‘Fly On the Wall’ NewYork, NewYork
2012 Waterstone Gallery, ‘Pentimento’, Portland
Oregon
North Shore Art Association, ‘Experimental Art’, Gloucester
Massachusetts
Chehalem Cultural Center, ‘Oregon Artists Showcase’,
Newberg Oregon
Gallery 114 ‘Exit Winter’ Juried Guest Artist Show,
Portland Oregon
Art Takes Times Square, electronic billboards New York, NewYork
2011 Garden Pavilion ‘The All Oregon Art Annual’
Professional division’ Salem, Oregon
GDP Studios, ‘New Vibrations in Art’, Shelton Washington
2010 Dragonfly Gallery at Rosedale, ‘New Directions’
Austin Texas
2008 Sidney & Berne Davis Art Center “Illumination”
Fort Myers Florida
Microcosm Gallery ‘Soul to Soul’, New York, NewYork
2007 First Presbyterian Church ‘Gifts of Spirit’,
Portland Oregon
2006 Coos Art Museum ‘Oregon Artists Biennial’,
Coos Bay Oregon
2005 Peninsula Fine Arts Center, 'On the Edge 2005 ', Newport
News Virginia
2004 Blue Moon Gallery 'Healing Environments' Little Rock
Arkansas
Cork Gallery, ‘Wish you were here’ Lincoln Center, New
York, New York
2003 Crane Museum ‘Celebration of American Paper Arts’
Dalton Massachusetts
Landmark Art Center 'Landmarks in paper’ St Paul Minnesota
2002 ArtStudio Gallery ‘Small Works II’ Santa
Fe New Mexico
2001 Waterstone Gallery ‘Collective Impressions’
Portland Oregon
1997 Omni Gallery, ‘Invitational’ Portland Oregon
1994 The Ink People Gallery, National Competition, Eureka
California
1993 Museum of Fine Art ‘74th National Exhibit’
Springfield Massachusetts
SELECTED COLLECTIONS / CORPORATE PURCHASES
Austin Industries, Newberg Oregon
Avista Energy, Portland Oregon
CAP Inc. headquarters, Portland, Oregon
ESI Corporation, Portland Offices, Oregon
Good Samaritan Hospital, Portland, Oregon
Marsh USA Inc, Portland Oregon
The Taylor Group, Portland, Oregon
TKS Group, Portland Oregon
US Trust, Portland Oregon
West Coast Bank, Lake Oswego, Oregon
Willis Corporation of Portland, Oregon
Zenith Administrators, Portland, Oregon
SELECTED PUBLICATIONS
2013 NOoSphere Gallery, A Fly on the Wall, exhibit Catalogue
CAP, Special Collection, art auction catalogue
2012 Diffusion; Unconventional Photography Annual, Volume
IV, One Twelve Publishing
2011 Exploring Experimental Art ISEA Exhibition Catalogue
Portland Tribune, ‘An Artists Paints her Garden’ Barbara
Ashmun
2010 ‘Art of the Allison Collection’, Catalogue
‘Visual Journeys; Art of the 21st Century’ Nina Mihm
/ Mary Carol Nelson, Fresco P.
2009 ‘Extraordinary Measures’ – feature
film w/ Harrison Ford
‘Portland Art Museum Rental Sales Gallery; The First 50 Years
1959-2009’ Bowlan
Thresholds; Literary Journal, Spring/Summer
2008 Who’s Who in American Art #29, Marquis Publishing
2006 Connections: We Are All One Exhibition Catalogue October
2004 Oregonian,’ Artist Studios Become Art’ Steven
Amick
2003 MidValley Arts newspaper, Issue #4
2002 Oregonian, ‘Finding Textures of Peace..’
January . Janet Goetze
2001 West Linn Tidings ’Willamette Gallery features...’
November
Art Calendar Magazine, Cover Artist, February
1999 Art now Gallery Guide, Artist Profile, October
1997 City Limits magazine, Artist’s of the Month June/July
1996 Untitled’ Magazine, Best of 1995 issue, January
1992 Showcase 92, Beaverton Arts Commission, exhibition catalogue
EDUCATION
1987 BARCH, University of Oregon, - Bachelors of Architecture
from the School or Architecture and Allied Arts, Minor in Art History,
Eugene Oregon
GRADUATE COURSE WORK
2008 - 2010 Graduate course work in the Transpersonal in
Visual Arts, Edgar Cayce Institute, Virginia
UPDATE
- JULY 2015 - MARCH 2016
Ebert is preparing to release her first self published book titled
Traces of Creation; Phenomena, featuring over one hundred full color
images of her macro digital photographs of light signatures. It
is to be released at an exhibit of the same tittle in March 2016
at Sage Gallery in Portland Oregon. This is the first book planed
to be a three edition series Traces of Creation; Narratives to be
followed by ColorFields. Her photography is also coming out in the
latest publication by the Society of Layerists in Multi Media, to
be released in the fall of 2016 by Fresco Fine Art Publishing. Both
books will be available on Amazon.com.
Also in the spring of 2016 Leslie Ebert's photographs the
Presence of Angles and The Winds of Change will be exhibiting at
the Crayola Gallery at the Banana Factory in Bethlehem Pennsylvania
in the show "the Creative Muse". While the piece Electromagnetic's
will be exhibiting in the show "In-VISIBLE"' at the new
Lawrence Gallery at Point Park University, Pittsburgh Pennsylvania
In 2015 from August through October, Ebert had a 25 year
Retrospective of her artwork at Museum Contempo, Olympia Washington.
In October of that year she also had an exhibit of her photography
titled "Light Taking Form" at Studio 820 in Oregon City,
Oregon. Her image Portrait of an Orb went on Digital Display at
Scope Miami in Florida, and the Louvre Museum in Paris France as
part of the See.Me Exposure Awards. One of her images from the Chaos
series was also juried by Saatchi Gallery London England to be included
in their Digital Display program. She finished out the year with
the image Delusions showing in the group exhibition titled Primarily
Color at the Atlantic Gallery in New York through the Professional
Women Photographers organization.
Since the last entry on her C.V. in 2014 Leslie Ebert participated
in the Center of Contemporary Art Seattle Washington exhibit "Who
are You" and the Portland Art Museums;RSG Annual Fall show
in Portland Oregon. As well as Museum Contempo's "Life in Bloom"
Olympia, Washington
UPDATE - MARCH 2016
- APRL 2017
S!OLO SHOWS
2016 Sage Gallery, Phenomena, Portland Oregon
2015 Museum Contempo, Luminance; A 25 year Retrospective,
Olympia Washington
Studio 820, Light Taking Form, Oregon City Oregon ! GROUP EXHIBITIONS
on DIGITAL DISPLAY
2015 Scope, Miami Art Week, Florida
Saatchis Gallery, Digital Display, London, England
Louvre Museum, See.Me Exposure Awards, Paris, France
2013 See.Me Gallery, The Story of the Creative, Long Island
City, NewYork
2012 ‘Art Takes Times Square’, electronic billboards,
New York, NewYork
SELECTED GROUP EXHIBITIONS
2017 Spectrum, Miami Art Week, Miami Florida
PhotoLucida Portfolio Walk, Portland Art Museums Mark Building,
Portland Oregon
Plates to Pixels, Visual Armistice, Juried Showcase, PlatesToPixels.com
Portland Art Museums RSGallery, Spring Annual, Portland Oregon
Merge IV, African American Performing Arts Center Albuquerque NewMexico
ADC, Artist Show Case, Cincinnati, Ohio
2016 Sage Gallery, The Spiritual Gift, Portland Oregon
The Banana Factory Crayola Gallery The Creative Muse, Bethlehem
Pennsylvania
Point Park University Lawrence Gallery, In-VISIBLE, Pittsburgh Pennsylvania
2015 Sylvia Wald & Po Kim Art Gallery, the 126th yr of
NAWA , New York New York
Atlantic Gallery, Primarily Colors, New York New York
Museum Contempo, Life in Bloom, Olympia Washington
2014 CoCA’ Who Are You’ Seattle Washington
National Association of Women Artists Gallery, Winter exhibit, New
York New York
Portland Art Museums RSGallery, Fall show, Portland Oregon
2013 Museum Contempo, Who is God, Olympia Washington
SELECTED MEDIA and PUBLICATIONS
2017 Merg exhibit catalogue, Created by the Society of Layrists
in Multi Media
2016 Unique Insights; The Society of Layerists in Multi Media,
University of New Mexico Press
Traces of Creation; Phenomena, Foreword by Mary Carroll Nelson,
self published
Willamette Week, 3/16 Dont try to make sense of these pictures,
Jennifer Rabin
Tribune, Pittsburgh 4/2 In-visible into the spotlight, Kurt Shaw
2015 ArtLifeVideoBlog Day135, the Abstract Photography of
Leslie Ebert
2014 NAWA 125th year exhibit catalogue,
2012 Who’ Who in American Art’ #31
Women
In Photography International Charter Member
PROFESSIONAL ASSOCIATIONS
National Association of Women Artists NAWA
Society of Layerists in Multi Media SLMM
Women in Photography International WIPI
Professional Women Photographers PWP
ARCHIVES
NAWA members are archived at the Frick art Reference Library, New
York
PWP members are archived at the he National Museum of Women in the
Arts, Washington DC
SLMM members are Archived at the Institute of Historical Survey
Foundation, New Mexico
WIPI Members are archived at the Beinecke Library, Yale University,
New Haven Connecticut
WEB LINKS
https://www.lensculture.com/leslie-ebert!
https://www.saatchiart.com/LEbert!
http://www.pwponline.org/member/view/leslie-ebert-2!
https://www.facebook.com/leslie.ebert.31!
https://twitter.com/inspiritart!
https://plus.google.com/u/0/106997291911205578105!
https://www.linkedin.com/in/leslie-ebert-68017a1/!
Current Developments
In 2017 Leslie Ebert attended PhotoLucida a biAnnual portfolio
review event in Portland Oregon
where she is currently following up on the many leads and opportunities
gathered there. She is also
finalizing travel plans to attend Spectrum Miami in December of
2017 as an exhibiting artist
through ADC Fine art. Where she will also add Miami Florida to her
ongoing Energy of Place
photography project. The Energy of Place is a long-term project
investigating the Light Signatures
of varying geographies and cultures. With attention to capturing
the shape and color of the light
energy as it has been influenced by the history of that place, the
memories of the people and their
cultural beliefs in combination with the electromagnets of the earth,
as they come together to
influence the shape of the Light around us. In 2016 Ebert
traveled up the coast of Croatia from
Dubrovnik to Venice as part of this ongoing research. In 2015
she added the village of Xacatitos
Mexico to this project and the island of Bali Indonesia in 2014.
She is currently planning her next
destination in this series, Portugal scheduled for Spring of
2018 with Peru, Cuba, India, and Australia
all earmarked as future locations for this project.
Leslie Ebert also continues to work on her Other Peoples Junk project,
a photographic
psychometry of sorts which involves collecting objects from garage
sales and travels that are
emitting strong vibrations and setting them up as still life studies
for photographing the light energy
emanating from those objects in the studio. She has also begun developing
a new project titled
Playing with Optics that will use lenses and filters to break light
into its basic colors and structures
to document and compare the results using digital photography.
Leslie Ebert
Portland Oregon
WIPI
PhotoProfile
www.leslieebert.com
Leslie@LeslieEbert.com
©Copyright for all images remains the property of exhibited
photographer, and promotional use for Women In Photography International.
All inquiries regarding use of and purchasing image use rights must
be directed to the photographer.
File complete August 30, 2014
s-8/30
UPDATE- Photographer
response New Update MARCH 2016 - APRL
2017
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